Фото: Кирилл Каллиников / РИА Новости
Artists have always had to contend with influence; every generation has always wished it could birth itself, instead of being born. But the contemporary world is burdened with the biggest glut of influences and models ever available to any people in history. It may seem paradoxical to claim, but nothing proves this essential paralysis more clearly than our era’s massive cultural overproduction, than those creative industries that churn out books and television shows and movies yet always remain fixated on contemporary trends, on context-free content, with little or no connection to any deep tradition. The paradox makes some sense psychologically: one symptom of paralyzing anxiety is compensatory overactivity. Bloom himself had suggested that artists deal with this overabundance by choosing the right influences (or being chosen by them), then redescribing, misreading them creatively—hoping to come up with a radical enough revision to push forward with their own transformed material.
В США отреагировали на информацию о пленных американцах в Иране02:11，详情可参考新收录的资料
• Funazushi: The fermented predecessor of modern sushi
。新收录的资料是该领域的重要参考
Diana from Peru says that currently she can be exploited by Spanish businesses
数据显示，2025年中国自动驾驶领域总投入预计达700-750亿元，同比增长40%。但整个中国汽车行业利润率只有4.1%，处于历史低点。利润增长赶不上研发投入增长，尤其对于还在亏损中的车企来说，L3还是L4？曾经是两者都要、循序渐进，现在成了二选一的选择题。，这一点在新收录的资料中也有详细论述