The “Knocking on Wood” Wikipedia page mentions Roud’s conclusion, and this claim of a 19th century origin has circulated online as the final say on the matter. If you go back to the original, though, Roud’s proposal actually ends on an ambivalent note: “Before this theory [of 19th century origins] can be finally accepted, however, an examination of the history of European forms of this custom would be advisable.”
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宜昌古称夷陵，素有“川鄂咽喉”之称，是巴楚文化交融之地，也是蜡梅原产地之一。本土花卉蜡梅见证了“三峡门户”2000多年的传承发展之路，从先民耕耘生息，到屈子行吟、长坂烽烟，花开花谢千百次，默默守望古城成长。蜡梅不仅为宜昌带来醉人景观和自然意趣，也将城市人文与自然禀赋深度融合，成为城市精神的重要载体。，推荐阅读WPS下载最新地址获取更多信息
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In 1992, in a small shop in British Columbia, a sign maker named Blair Gran stared at a wall full of half-finished jobs and felt something click. Sign-making was treated like a commodity — orders in, banners out — but as thousands of signs came through his shop, he couldn’t help but notice the difference between the good ones and the bad ones. He could see that every sign that left his shop was either helping a business get noticed, or letting it disappear in plain sight.